Wagner Leitmotif List _VERIFIED_
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This table of motives in Rienzi is taken from Sziklai's 1985 book The Leitmotif in Opera, which gives an excellent introduction to Wagner's use of leitmotif in his operatic compositions. Sziklai also gives a comprehensive (if slightly outdated) list of Wagner's operas, along with brief comments on the use of leitmotif in them.
The first leitmotif in the above table is the leitmotif of Tristan and Isolde. There are additional stock leitmotifs relating to King Marke, the wehrwolves, and the knights of Tristan's band. There are also many stock leitmotifs that Wagner uses frequently in the other operas.
In the 1960s, several of the most famous film scores of all time were defined as leitmotif driven, including Godard's A Bout de souffle (1960), Breathless (1960), and La Chinoise (1967), Bernardo Bertolucci's Novecento (1969), and the Godfather trilogy (1972 - 1990). Such scores were also instrumental in turning the medium from a distinctive art form to a mass medium, with the aforementioned films frequently featuring recognisable leitmotifs that became embedded in the cultural consciousness. (Godard and Bertolucci both later received Academy Award nominations in the music score category.) In the case of the film La Chinoise, the film's Chinese nationalist propaganda theme became an iconic leitmotif that still reverberates today, appearing not only in the film's soundtrack but also in the music of artists such as Fabien Lecerf and Jean-Michel Jarre.
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