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In the sixties, most of the French Catholic magazines, such as the Fleurus publications, waned in popularity, as they were "re-christianized" and went to a more traditional style with more text and fewer drawings.[51] This meant that in France, magazines like Pilote and Vaillant (relaunched as Pif gadget in 1969), and Spirou and Tintin for French-speaking Belgium, gained almost the entire market and became the obvious goal for new artists from their respective countries, who took up the styles prevalent in those magazines to break into the business.[52] 2b1af7f3a8